“It’s the ultimate personal catharsis and I wanted to try a different approach of writing lyrics,” the composer explains of the unusual number. Unsurprisingly, Imaginaerum also contains a lot of personal elements and none more so than the four-part Song Of Myself, which rests near the very end of album.
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“I just felt we needed to be able to laugh at all the bad things,” he grins and explains the intro was inspired by the score of the horror film Hostel.Īnd with Holopainen in charge of 99 per cent of the writing – just one song, The Crow, The Owl And The Dove was written by growler and bassist Marco Hietala – he had free reign to really allow his visions to become a reality.
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I know how to push her and I knew where to not go as well.”Īnother song where Olzon seems to be making the most of her vocal freedom is the wonderfully over-the-top Scaretale, a twisted and flamboyant symphony of childhood nightmares influenced by US composer Danny Elfman.
This time, she had the space to rehearse the songs, she knew us and she felt so much more confident.” He adds: “She had a lot of weight on her shoulders when she joined but now I know her scale, her strengths and her weaknesses it was easier to write the songs. Tuomas Holopainen shakes his head: “When she sang on Dark Passion Play, we had known each other for about two months. It begs the question of whether the singer had any training in between albums. Take for example, the lounge-room styled Slow, Love, Slow – a song that brings the musician back to his jazz studies and really shows off Anette Olzon’s voice. This modest and softly-spoken young man has created one of the most ambitious and diverse albums of Nightwish’s career. Tuomas Holopainen leans back on a leather sofa and pours himself another glass of red wine as he ponders the journey he started almost three years ago. In August of this year, Nightwish re-signed their record deal with Nuclear Blast, cementing the release of what will be their seventh studio album this December. The magickal musical dream of Imaginaerum was almost complete. “But he must go into an icy lake in the winter to get his 100 per cent Finnish passport!” “He keeps up with the drinking fantastically and he’s already 83 per cent Finn because he rolled in the snow naked a couple of years ago!” Holopainen adds with a mischievous glint in his eye. Troy interpreted our ideas and has become such a close personal friend, he’s like the sixth member!” Tuomas Holopainen laughs as he reveals the piper has already passed several initiation rites. “We all love the sound of Celtic instruments – they’re just magical and fit the ideology of Nightwish really well. It was here that Troy Donockley, formerly of prog-rockers Iona and The Enid, also revived his role with his trademark uilleann pipes as well as low whistles, bouzouki, bodhrans and backing vocals. With the first signs of spring bursting through the snow, it was back to his homeland for more recording, this time at Petrax studios situated in the Finnish countryside. A section of the London Symphony Orchestra, referred to as the Looking Glass Orchestra, provided the instrumentation while a choir of young musicians contributed the eerie vocal harmonies that Holopainen was after.
Last February, Holopainen flew over to London to meet up with the renowned Pip Williams and begin the symphonic arrangements. Not necessarily from each other, just time out from music and travelling.”Ī few months later, Nightwish regrouped in Finland to begin recording demos and as the leaves on the trees turned from luscious green to a beautiful umber, the first few tracks started to take shape. After a pause, he continues: “When the tour finished everybody was happy but we just needed some time out. People started cracking up…” he looks away and laughs nervously but refuses to elaborate. Everybody was worrying about Anette, she was worrying about herself and there were a lot of other things. The big mistake we made was to book such a long and intense tour with a new singer. Everyone was feeling really good and the chemistry was there but everybody was just dead tired. Was all really well in Camp Nightwish or was there a sense of disharmony? Holopainen screws up his face: “Not disharmony – that’s the wrong word. She seemed to distance herself from the rest of the band on stage and there were rumours she was working on a solo album. He began writing as Nightwish embarked on what became a two-year tour but as the shows progressed, word started to spread about whether recently-recruited vocalist Anette Olzon was really up to the job. While Harju concentrated on the visual side, it was up to Tuomas Holopainen to keep the musical flame burning brightly.
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